Tuesday, 26 October 2010

Get Thee Behind the Block

Until recently, I still felt like someone throwing a serious flying punch my way would break through my defenses. It worried me enough that whenever Si-Fu would tap out my partner and take his or her place, I'd panic and lose focus. (Although he is always cognizant of his power and trains carefully with his students, Si-Fu is 6-foot-somethin'-else and his bicep is probably as big around as my thigh. You'd be nervous, too.) That's when I'd fall apart. Mushy lop-sau. Yuck.

Something's different, this week. Maybe it's because there have been so many students who have continued through several 8-week sessions in my Wing Chun class that Si-Fu ordered us long-termers t-shirts and started calling us "seniors". Maybe it's because the class is now large enough that these seniors are being given more advanced sparring combinations to learn, which (if you've read any of my earlier posts) makes me supremely happy. Or maybe it was because I finally had the chance to train with my husband in the class, when normally Si-Fu pairs us by gender, and this afforded me the opportunity to spar with someone I knew would give the kind of energy that would challenge me.

Whatever the reason, I feel like I've reached a new comfort zone. I don't mean "comfort" as in "kick back and relax". I mean that Si-Fu's instruction on getting behind the block sank in a little further. And when it did, it felt like I might just survive a fight long enough to make a run for it.

Last night, Si-Fu showed me how to turn my body such that my body almost directly faced my hand and straightened arm. The energy coming at me was jammed up my arm and stopped at my shoulder--a much stronger joint than my wrist. My arm felt solid. And I was right behind it.

For the first time ever, I felt like I would really be able to stop a round-house punch. When he tapped out my husband and took his place, I felt like I could (maybe) even stop Si-Fu.

If your opponent isn't successful with the first punch, it's unlikely s/he'll stop there. A second roundhouse from the rear hand isn't an impossibility. So what do you do when you've made contact with the first limb to come at you? IMMEDIATELY look at the one you're not touching. Si-Fu had me focus on that second arm the instant I touched his arm with the incoming first punch. As the first arm pulled back, I felt it. And when the second punch started moving in, I was watching it. Turning 90-degrees, I got behind my lop-sau and again stopped the punch. And I remembered to watch the other elbow as soon as I blocked that arm.

Si-Fu gave me a silent thumbs-up and moved on.

Hot damn. I got it right, for once.

The full combination was this:
YOU: Guard up. Left side-neutral stance (feet pointed 45-degrees to the right on the same lateral line, left guard arm forward).
OPPONENT: Fists up. Right front stance (both feet pointed 45-degrees to the left, right foot in front of left foot along a line roughly 45-degrees to the right, feet about shoulder-width apart with just enough room to run a toy truck between them from straight ahead toward the wall behind).

OPPONENT: Throws lead (right) arm round punch
YOU: Turning feet 90-degrees to the left (a quick step-step, right than left foot--never slide the feet) to face the oncoming punch, lop-sau with lead (left) arm while simultaneously throwing a punch to your opponent's face with your right fist; pak-sau at the elbow with right arm as you step forward just enough to push your opponent backward and off balance; step-step (left foot/right foot) to face your opponent's side; punch with the left over the top of the pak-sau; rapid-fire roll punches with both hands, always watching the elbow of the arm furthest away from you

OPTIONAL: Opponent throws the first round punch (you block with lop-sau and punch, as before), then pulls right arm back before your pak-sau and immediately throws a rear (left) arm round punch (you again block with lop-sau/punch combo, following up with pak-sau and punches). Opponent randomly chooses when to throw one round or two. You can also train with your opponent throwing continuous rounds, while you lop-sau/punch repeatedly.

THINGS TO REMEMBER:

  • Use touch reflexes to tell you when your opponent is moving or pulling back a punch in preparation for throwing another.
  • Use visual reflexes, always watching the elbow of the arm you're not touching; you want no surprises!
  • When changing the direction you're facing so that you get your full body behind the block, be sure to actually pick up your feet and put them down facing the new direction (it's a quick one-two rhythm, like clapping your hands, 1-2, in quick succession). Sliding or dragging your feet, a common technique of some forms of Kung-fu, causes friction to slow you down. On uneven terrain, you could even trip. This is one Traditional Wing-Chun basic that Bruce Lee never learned before he died (not his fault...but that's another story for another day) and one of the reasons why his Wing Chun Master could beat him every time, much to Lee's consternation.

Pity he never had my Si-Fu.

4 comments:

  1. Sounds like good sensitivity training to me :)

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  2. Hello,
    I have a question about your blog, do you think you could email me?
    David

    ReplyDelete
  3. David,
    Ask here, please. If you're legit, I'll gladly reply by email.
    A.M.O.

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  4. I just stumbled upon your blog today, and I haven't read many posts yet, so I apologize if you've already discussed this -- but I was wondering, how does being female effect your studies and class and such? My husband and I have only been learning Wing Chun since August 2012, and I've been the only female in the class. I'm the smallest person in the class. Most of the guys don't really want to work with me, because they don't want to hurt me, they hold back. So, sometimes I feel like I'm starting to "get it", until I try to spar with my husband (who currently out-weighs me by 70 lbs!) and I don't stand a chance. I just wondered if you had experienced anything like this, and how you dealt with frustration like that. ~Red

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